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Candombe
is the survival dance of the ancestral African heap, of Bantú roots, brought
to “Río de la Plata” by black slaves. The word has a generic meaning for all
black dances, but also evokates the ritual of the black race. This ritual
comes probably from rhythmic sounds characterising the afro dance. The
musical and emotional spirit goes beyond the memories of unfortunate slaves,
that were suddenly transplanted from Africa to South America, to be sold and
mistreated. They were painful souls that only kept nostalgia from home. That
is why slaves set themselves free by dancing!
It is not possible to talk about Candombe,
without first referring to the instrument that constitutes its essence and
soul: the bongo drum. During the colonies the bongo drums were called
“tango” by the salves. This expression finds its origin in the sound
produced by bongo drums, but it is also the place where the slaves
celebrated their dances.
When Montevideo was still a military city rounded by walls,
black slaves danced Candombe within the city in the former
“Plaza del Mercado Chico” and Paseo del Recinto”, both located on the south
coast of the city. Historical documents show that during the 19th
century, the city hall (“Cabildo de Montevideo”), was worried about black
camdombe-dances. This dances -- called “tambos” o “tangos” --were
prohibited and black slaves were seriously punished. However, black slaves
continued to dance Candombe with even more frenzy. For this
reason in 1808, neighbours of Montevideo asked Governor Francisco Javier
Elio to repress Candombe dance and music, as considered
detrimental to work obligations. A few decades later, on December 12th
1842, President Don Joaquín Suarez abolished the slavery in the country.
Since them, black people are free in Uruguay.
Although Candombe has roots in both Angola and
Congo, its expressive value has taken influences from folk music of “Río de
la Plata”. The sound of black-people bongo drums, is today a symbol of the
popular soul, as well as a revival of slavery. Candombe has
been commercialised, but the black soul of both melody and bongo drums,
remains the same. Nevertheless, the meaning of Candombe has
changed. Former Canbombe was a way of demonstration, today is
just folk music. |